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This blog originally began as "Blog of the Universe," chronicling the adventures of three girls during Depeche Mode's Tour of the Universe. Now that the girls' shows have passed, Amanda has decided to continue blogging on various DM-related topics. This blog isn't really meant to be a news source (there are great sites for that already) but more of a personal op-ed space for DM musings.

Many may question whether the hardcore fans have lives (we do), but what is life without passion and adventure to make it worth living?


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Amanda

Amanda is a pretty mellow person (when I'm not stressed out about projects) but she loves fun and adventure with friends.

She has a B.S. in Graphic Design and spends her weekdays working for a firm that specializes in non-profit and small business marketing. Amanda lives with her boyfriend (to whom she may as well be married) and one crazy cat, Cocoanut. Enjoying many time-consuming hobbies that compete with one another, she is fully aware she's a complete geek and revels in it.

DM Fan Since: 1998

Favorite DM Album: Songs of Faith and Devotion

Favorite DM Song: "Walking in My Shoes"

From: Sacramento, CA, USA


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Friday, November 20, 2009

Indomitable Infinity
by Miss Leliel


Indomitable Infinity - David G by =usaku on deviantART

I originally completed this piece while I was still figuring out the transition between the tour blog and the new format (if you can call it that), so I thought I'd post it now. :)

The concept for piece has been mulling around in my brain for many months, but several attempts at execution have fallen flat. Finally I managed to create something I was happy with, mostly to do with a lovely shot taken by my friend Tara at one of the Depeche Mode shows this summer, and my attempts to improve my figure drawing skills.

The hardest thing about drawing a serious interpretation of any real person, living or dead, is that I don't like being generic. It's very important to me that I capture the essence of my subject in question - their particular features and recognizable traits. Simply drawing a generic anime guy with black-brown hair and tattoos just doesn't do him justice. However, it all depends on the purpose of a piece - obviously a chibi or sketch done for fun is just that.

Anyway, as a subject dear to my heart, this piece is laden with symbolism.. The background needed elements and details, and it's my philosophy that most of the time, if you need to add elements to a piece, it enhances the value and meaning if you can tie in a secret code story. If you're not interested in such details, I'd stop reading. ;)

Martin Gore would say "You people think too much." But I say, in telling a meaningful story, the more thought put into it the better! And really, most of these ideas came quite naturally.

The center piece is obvious: David Gahan is the lead singer of Depeche Mode. Though he is wholly important/special outside this role, it's how I "know" him. Artists in the thrall of performance are letting their creative spirits fly, and David certainly does so. I wanted the strength and elegance of his live performance to be captured well (why I struggled with the pose for so long).

Wings: Well, you know it might be a pretty generic thing in the DM fanart community, but I think there's good reason. A great performer/artist is transcendental - music is a special thing that can cut straight through to our core being despite our personal barriers. To me, wings are typically a symbol of spiritual power, and there are very few things in this world that move the spirit as musicians do.

Cats: Harkening back to a nickname David was given in the 90s, during his dark period. Paramedics had seen him so many times they started calling him "The Cat." When asked about it after he had sobered up, he said "the cat" was on his left shoulder all the time. This was quite a while ago, but the image of a looming reminder has always stuck in my mind, not to mention the fact that David has survived four life-threatening experiences reinforces the image.

The Gemstones: On that note, there are nine jewels (nine lives), of which four are broken. One for each experience: heart attack (1993), lacerated wrists (1995), overdose, in which he did die for two minutes (1996), bladder cancer (2009).

The Lotus Flowers: Renewal and progress, making oneself better than where one started. Lotus flowers seed in mud and murky water, but grow into the light to become something beautiful. This could be taken in two ways for David. One is his path from a troubled childhood in Basildon (juvenile crime, family problems) to becoming a successful musician, bringing joy to millions of people. The second would be that David today would not be who he was without the problems he went through in the 90s - a very dark and sad period, but he learned a lot about life and love and has been a better person for it ever since.

The clock: Tying in with the metaphors of time and life. It's set to 1:01 (101 being a significant moment of his career) but you cant really see it since his head is there.

Anyway, that's it! You get major props if you read all this (and don't think worse of me for it)!

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Copyright Usaku/Leliel 2009.
Copic Marker, Sakura Micron, Adobe Illustrator, Gelly Roll white
Pose borrowed from a photo by Tara Salt.

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Sounds of the Twitterverse
by Miss Leliel


Words ARE very necessary (in web 2.0, that is).

Depeche Mode has long been at the forefront of technology from pioneering synthesizer pop, samples and out-of-the-box thinking (literally) to having one of the best official sites on the web. The Band were ahead of the game when they hosted one of the very first live chats between a band and their fans in the 90s. Their website was teaming with archival footage from gigs, music videos and TV shows long before anyone thought of YouTube. The release of 2001’s Exciter was preceded by 30-second teaser clips and in-studio band greetings uploaded to the site before Tom insisted on being everybody’s friend.

It’s clear that the team behind Depeche Mode have been continually aware of the growing role of the Internet, having established a presence on all the major social media outlets during 2005’s promotion for Playing the Angel. They established a solid social media foundation with utilization of MySpace video premieres, news updates on Twitter and Facebook, in-studio clips on YouTube and maintain extensive written and video blogs for their tours. Certainly it’s much easier for a fan to keep tabs on news from the band than it was a decade ago. However, the most recent period surrounding Sounds of the Universe has struggled to take advantage of what makes social media shine. Time and attention are precious commodities - content has to stand out and engage a user enough to compel him or her to share with their social network.

Simply posting news bites, links and blog articles on every social media outlet is no longer enough. Consumers and fans are more interested in the personal connections allowed by social media networks than a news-ticker approach. Depeche Mode’s team has news circulation down to a science, however they lack the personal connection - the content that makes the feed special. For simplicity, let's take a look at Twitter (similar ideas can be applied to Facebook and MySpace). Some of Depeche Mode's contemporaries and peers such as Nine Inch Nails, Pet Shop Boys and The Killers all use their Twitter accounts to promote news and information, but go an extra mile to make their Twitter presence engaging. These bands accomplish this in several ways: a) they post genuine day-to-day anecdotes to which people can relate, b) they share thoughts and details about the tour that only insiders would normally experience, c) they recognize the presence and importance of their fans by replying to them by reposting and highlighting fan activities. This allows fans to feel like they are reading something special and cultivates a feeling of a two-way connection and respect between fans and the bands, rather than a one-way communication model.

The existing Depeche Mode strategy has been restricted to posting release news, tour blogs, press coverage and very, very rarely an odd fan-related post. One reason could be the webmaster currently handles the official Depeche Mode Twitter account, but he is not on tour with the band. This poses a problem for casual and personal posts related to the touring entourage, as they would have to be funneled through email, defeating the purpose of the quick, instant ease of Twitter. Second, the members of Depeche Mode are shy and known for their general distaste for media chores - I imagine getting them to work TweetDeck from their iPhones would be like trying to get a cat into a bathtub. It's a shame 'cause their natural wit and goof would make great tweets!

Literally as I was working on the initial draft of this post, tour blogger Peter announced he'd be live tweeting the Barcelona gig. TweetGeeks, rejoice! When a band can't tweet for themselves, the next best thing is to have someone as the fan on the inside who shares his perspective with the outside world. Peter tweeted his activities, complete with relevant pictures, throughout the day. Fans were privy to slice-of-life anecdotes such as intoxicated folks sleeping on trains to pictures of the venue and the band and crew hard at work. When the gig came, we were treated to the first official live setlist relay, complete with pictures for each song. Fans have been doing these relays on forums for some time, working together to send and receive real-time texts and pictures from fans at the show as well as scouring Twitter hash tags for information on the atmosphere of the gig. However, having an official activity goes to show a bit more care and effort on behalf of the band. If the fans are going to do it anyway, why not get involved and go public? It says, "Hi, we see what you're doing there!" Ideally it would have been best if Peter was tweeting from the Depeche Mode account, reaching their 100k+ followers instead of the couple hundred that happened to follow Peter after they saw the announcement linking his handle, but overall a great time was had by those who followed.

With a band as big as Depeche Mode, one may think that going the extra mile to really perfect a social media strategy to engage fans is not needed, but no good ever comes of complacency. Personalized approaches go a long way in the new landscape of public relations. Consumers enjoy seeing humanity they can relate to, not just newsbots. Fans want to know that their bands are aware they exist and know they are recognized as important. If a band is successful in creating unique and engaging content, fans are also more likely to forward something to their friends if they are emotionally moved by it. Whether they are amused, shocked or inspired they want to share it with the world as a must-see/read/hear experience. The more a fan talks, brags, and shares info about the band, the more their social networks (friends, family, coworkers) are aware of said band’s presence. In this way, a band's reach extends exponentially through it's fans and the ease of social network sharing technology with very little investment. This is especially important in areas where a band is not supported by corporate radio regulators and in an age in which music television has almost ceased to exist. Over time, fans' sharing new content via social media means less people wondering if Depeche Mode has done much since "Words Are Very Unnecessary."

Let's hope that Peter's live tweets from Barcelona are not a one-time fluke and that somebody on the Depeche Mode team has recognized what makes solid social media great social media. Yes, sir, I think I like it!

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Saturday, November 7, 2009

Counting Everything (so far)
by Miss Leliel


Read after the jump for full-sized graphs in handy wallpaper size (if for some reason you like them that much).

So while I was in a relay thread for today's show in Mannheim, everyone was anticipating rumored setlist shakeups. The topic of the decreased representation of SOTU tracks on what is the SOTU tour was inevitably raised. What are the representations compared to other albums in this setlist? It was an interesting even spread among DM's finest (Violator, SOFAD andBlack Celebration, Ultra) and the new album, clocking in at 3-4 tracks each. Then, someone posted that a total of ten tracks from SOTU have been played over the course of the tour, which made me think that if we step back and look at the tour as a whole, DM have actually covered a quite a bit of ground thus far. I've crunched some numbers and designed some graphics to get an idea of what this spread looks like (because I'm a total nerd like that). I know some of this has been discussed but I think it's interesting to see it visualized.


[ 1920 - widescreen | 1600 - standard | 1280 - standard ]

The song per album break-down data:

Speak and Spell: 0
A Broken Frame: 0
Construction Time Again: 0
Some Great Reward: 2 (M&S, Somebody)
Black Celebration: 5 (FOTW, DIB, AQOT, AQOL, Stripped)
Music for the Masses: 3 (Strangelove, NLMDA, BTW)
Violator: 6 (ETS, PJ, WFTN, WIME, POT, Clean)
Songs of Faith and Devotion: 4 (WIMS, IFY, IYR, Judas)
Ultra: 3 (ING, Home, SON)
Exciter: 1 (Freelove)
Playing the Angel: 1 (Precious)
Sounds of the Universe: 10 (IC, Wrong, HTF, Jez, LS, IS, Peace, CB, MATTI, FT)
Others: 1 (STD)

I recognize this doesn't reflect a per-setlist image; it's not an average. It's a larger look at what the band has tried. Clearly SOTU is the album they are promoting with 10 tracks played (a larger proportion than any other album's tour). Perhaps the lack of SOTU dominance on a per-setlist level indicates they are certainly trying different things in the larger picture, but not satisfied with the results thus far, such as "In Sympathy" or "Fragile Tension." I think the band is on target with playing more tracks from Black Celebration and Violator, two albums that appeal to hardcore fans, general audiences and the band themselves. It also reinforces Martin's pre-tour comments about revisiting BC recently and enjoying it quite a bit. With 5 tracks from the album in one setlist, more than any other album that set, BC fans in Hannover were treated well. The omission of the band's first few albums is no big shock, seeing as how they aren't to fond of their early material. What's been curious is the meager showing from Playing the Angel, which went over well as an album and for the most part really well live. Additionally, since "Strangelove" was replaced by "Behind the Wheel" during the North American leg, MFTM only has only ever had two songs in the setlist at one time, despite being a successful career benchmark.


There are clues and rumors abound about what future setlists may hold. DM are frequently slagged by fans as not shaking things up enough, but I think this has been their most unpredictable tour yet. Sure, they aren't busting out b-sides and non-single tracks left and right, but the North American and so far indoor European legs certainly leave one guessing which combination (or random "oddball," such as "Judas" or "Sister of Night") will get played each night. I don't think we can expect DM to throw caution to the wind and start busting out rare b-sides just yet, but perhaps these are baby steps? Or maybe just a series of odd and unfortunate events, who knows.

(Opinions/analysis based on the context of this tour. Corrections welcomed.)

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pull it all down and start again
by Miss Leliel

OK, so not entirely. I revised the previous Blog of the Universe 2.0 design to be a bit more clean! In preparation for the fact that I will no longer be blogging my tour experiences (since those are over) I felt a name change was in order. I am hoping to post regularly, at least one substantial article per week. I know that's not much for blogging standards, but it's a start. This blog is more of a writing exercise for me, going stream of consciousness, and airing out my various thoughts and opinions instead of bogging down threads with long-winded material. I'll probably post random tidbits and musings here and there, but I'll leave the major news posts to Home and the official site. :)

I am also hoping to post reviews of new projects and releases, including side projects such as Dave, Alan or Christian's various collaborations. If I run out of new ideas maybe I'll dip into the back catalog, but unless there's interest in that, I doubt it. Though I warn you ahead of time, I probably wont review live recordings like LHN or remixes because I don't really have an ear for it. I can tell if something sounds bad, quality wise, but I don't feel I have the expertise to really contribute anything useful to those conversations.
Anyway, I look forward to writing and hope you look forward to reading! :) Remember to add the blog to your RSS (see right column) or Blogger Follow list (strip at the top). As I am doing this blog via FTP, I can't figure out a way to add a Blogger follow link without that darn bar at the top.



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